Kalki 2898 AD Movie
Director: Nag Ashwin
Writer: Nag Ashwin
Stars: Prabhas, Amitabh Bachchan, Kamal Haasan
Kalki 2898 AD Movie story: In the year 2898 AD, the tenth and final avatar of Lord Vishnu, Kalki, is poised to be born, heralding a new era amidst a dystopian world fraught with malevolent forces.
Review: ‘Kalki 2898 AD’ begins with a gripping depiction of the aftermath of the Mahabharata war, when Lord Krishna cursed Ashwatthama (Amitabh Bachchan) with immortality. This sets the stage for a fictional narrative within a star-studded cinematic universe, deeply rooted in Hindu mythology. A story about the tenth avatar of Lord Vishnu, who is prophesied to arrive on a white horse, signaling the end of the Kali Yuga.
Writer-director Nag Ashwin crafts his story around it, but the film is a precursor to what you can expect in the future installments of this massive universe. To do that, he uses his imaginative prowess and transports the audience into a visually stunning world. This is the biggest and most obvious strength of the film. Ashwin, with the help of his cinematographer Djordje Stojiljkovic, takes us into the lone existing city of Kasi, ruled by the evil Commander Manas (Saswata Chatterjee) and led by God King Supreme Yaskin (Kamal Haasan), who lives in a mysterious powerhouse known as Complex. It’s a dark world where fertile women are killed and men are enslaved. The only ray of hope, perhaps, is Bhairava (Prabhas) and a motley bunch of rebels from Shambhala until they rescue one of the subjects from the Complex, SUM80 (Deepika Padukone), the bearer of the awaited avatar.
It’s a simple story thrown into a complex web of too many characters and subplots, some of which have little to do with the broader narrative. Ashwin’s plot meanders into unnecessary detours so many times that it gets tiring to wait for it to get back on track. The entire first half suffers from this back and forth, especially with Prabhas’ character. The futile attempts to generate comedy, even with a veteran like Brahmanandam (who plays Bhairava’s landlord Rajan), fall flat, much like his half-baked love angle with Roxie (Disha Patani) that could have been completely done away with.
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