Kalki 2898 AD Movie and Story

Kalki 2898 AD Movie
 

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Director: Nag Ashwin

Writer: Nag Ashwin

Stars: Prabhas, Amitabh Bachchan, Kamal Haasan

Kalki 2898 AD Movie story:  In the year 2898 AD, the tenth and final avatar of Lord Vishnu, Kalki, is poised to be born, heralding a new era amidst a dystopian world fraught with malevolent forces.

Review: ‘Kalki 2898 AD’ begins with a gripping depiction of the aftermath of the Mahabharata war, when Lord Krishna cursed Ashwatthama (Amitabh Bachchan) with immortality. This sets the stage for a fictional narrative within a star-studded cinematic universe, deeply rooted in Hindu mythology. A story about the tenth avatar of Lord Vishnu, who is prophesied to arrive on a white horse, signaling the end of the Kali Yuga.


Writer-director Nag Ashwin crafts his story around it, but the film is a precursor to what you can expect in the future installments of this massive universe. To do that, he uses his imaginative prowess and transports the audience into a visually stunning world. This is the biggest and most obvious strength of the film. Ashwin, with the help of his cinematographer Djordje Stojiljkovic, takes us into the lone existing city of Kasi, ruled by the evil Commander Manas (Saswata Chatterjee) and led by God King Supreme Yaskin (Kamal Haasan), who lives in a mysterious powerhouse known as Complex. It’s a dark world where fertile women are killed and men are enslaved. The only ray of hope, perhaps, is Bhairava (Prabhas) and a motley bunch of rebels from Shambhala until they rescue one of the subjects from the Complex, SUM80 (Deepika Padukone), the bearer of the awaited avatar.

It’s a simple story thrown into a complex web of too many characters and subplots, some of which have little to do with the broader narrative. Ashwin’s plot meanders into unnecessary detours so many times that it gets tiring to wait for it to get back on track. The entire first half suffers from this back and forth, especially with Prabhas’ character. The futile attempts to generate comedy, even with a veteran like Brahmanandam (who plays Bhairava’s landlord Rajan), fall flat, much like his half-baked love angle with Roxie (Disha Patani) that could have been completely done away with.

DEVIL: The British Secret Agent Movie and Story

DEVIL: The British Secret Agent Movie 

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Director: Abhishek Nama
Writer: Srikanth Vissa
Stars: Elnaaz Norouzi, Mark Bennington, Samyuktha Menon

DEVIL: The British Secret Agent Movie story: 
The film is set in Rasapadu of the 1940s in the Madras Presidency, where Vijaya, the daughter of a Zamindar, is mysteriously murdered. In response, the British authorities assign Agent Devil (Kalyan Ram), to investigate the murder mystery. As the plot unfolds, spies and double agents working for both the British and the Indian National Army (INA) emerge, with the British attempting to capture Subhash Chandra Bose, who plans to return to India. Amidst this chaos, Trivarna, an enigmatic figure entrusted with Bose’s security detail, takes centre stage and becomes the target. The film explores how Vijaya’s murder is connected to a larger conspiracy. Did the British capture Trivarna? Will Bose reach the shores of India?

Review: Devil: The British Secret Agent, a period action drama featuring Nandamuri Kalyan Ram as Agent Devil, is a suspenseful story centred around a secret British agent embroiled in a murder mystery. Directed by Abhishek Nama and penned by Srikanth Vissa, the film begins as a murder mystery and gradually embraces themes of patriotism and rebellion, culminating in a cringe-worthy action sequence. While the initial parts are reminiscent of Hollywood spy thrillers, the second half descends into absolute carnage. However, the movie's saving grace is its grand setting, art design, and commendable performances by the ensemble cast led by Nandamuri Kalyan Ram and Samyuktha Menon.

Following his success with Bimbisara, Nandamuri Kalyan Ram delivers another impactful performance. As a secret service agent, he showcases various shades, looks stylish, and is a treat to watch for the most part. Samyuktha Menon, as Nyshada, captures attention playing the chief signal officer in the INA. Dressed in a saree throughout, she delivers a nuanced performance, whether in disguising her identity or wielding a gun.

Mark Bennington, as Bracken, plays the ruthless antagonist who stops at nothing to accomplish his mission. Elnaaz Norouzi, portraying Rosy, Patvari’s (Ajay) partner, shines in her limited screen time and dazzles in a dance number. Malavika Nair, as Manimekala, plays an important role as an INA member. Other actors, including Satya as Sastry, Ajay as Patvari, Vasishta Simha as Shanker, Edward Sonnenblick as Bell, Nithiin Mehta as Zamindar, Srikanth Iyengar as a police inspector, Shafi as a photographer, and others, contribute significantly to the film.

Srikanth Vissa handled the writing and screenplay, musician Harshavardhan Rameshwar provided the score, and cinematographer Soundarajan took care of the visuals of the project, boasting high production values.

Devil: The British Secret Agent, a blend of mystery, espionage, and action set against the backdrop of India's independence movement, has everything it takes but fails to pack a punch. The performances, particularly those of Kalyan Ram and Samyuktha Menon, are noteworthy, elevating the film's intrigue. The high production values, including art design, score, and cinematography, add to its overall appeal.

FURIOSA: A MAD MAX MOVIE & STORY

FURIOSA: A MAD MAX MOVIE 

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Director: George Miller

Writers: George Miller, Nick Lathouris

Stars: Anya Taylor-Joy, Chris Hemsworth, Tom Burke

‘Furiosa: A Mad Max Saga’ review: 
George Miller works overtime to justify his prequel to Mad Max: Fury Road. Furiosa: A Mad Max Saga traces the back story of the warrior who seeks to return to the place from where she was snatched as a child. The new movie has even more nerve-shredding action set-pieces than its predecessor, many more characters, and an expansion of Miller’s dystopic vision.

The franchise that began with Mad Max in 1979 takes place in an imaginable future. Australia is Ground Zero for a world that may come to be: there are severe water and fuel shortages, the landscape is stripped of vegetation, and people are worse than animals in their love for bestial violence.

This survival-of-the-meanest realm is divided into three zones that are controlled by Immortan Joe (Lachy Hulme). Dementus (Chris Hemsworth), who leads a vast pack of biker-marauders, wants in.

Furiosa (Anya Taylor-Joy) is sucked into the turf war between Immortan Joe and Dementus. Abducted as a young girl, Furiosa must rely on strength as well as memories of her mother if she has to get home. With some help from Immortan Joe’s sympathetic enforcer Jack (Tom Burke), Furiosa hones the skills that will eventually make her a fearsome fighter in Fury Road,

Furiosa lives up to its title. The new film’s tone is more savage than the previous productions. Furiosa lands in the middle of intense anxiety about the effects of climate change. Miller and co-writer Nico Lathouris are barely optimistic about what awaits the human race.

The jaw frequently drops to the floor during the daredevil action sequences, only to slide back into position by needless bloat. Although Miller has threatened yet another Mad Max spin-off, the 79-year-old filmmaker directs his latest movie like it is his last. The go-for-broke quality is equally split between Miller and his singular creations.

Furiosa clocks 148 minutes, which is more than enough time needed to understand its heroine’s journey. A few plot turns are contrived only to get Furiosa to switch camps and locations. Like a fighter stealthily attacking an adversary, Furiosa’s relationship with Jack comes out of nowhere.

The element of surprise that made Fury Road special is missing, even while Miller’s world-building remains as imaginative as ever. From the names of characters to the peculiar cadences of their speech, the eye-popping sets and the insane stunts, Fury Road was unlike anything we had seen before.

While some of that familiarity is lost in Furiosa, Miller compensates by satisfying curiosity about the circumstances that led to the events of Fury Road, ratcheting up the tension and showing off Jenny Beavan’s innovative costumes.

One character wears armour made out of bullets. Cars with parachutes attached to them rain havoc on Immortan Joe’s suicidal squad of followers. Dementus’s determination to achieve his mission results in furious driving through acres of sand.

Chris Hemsworth has been fitted with prosthetic make-up to play Dementus. It’s ironic that Hemsworth, the actor behind the Marvel superhero Thor, is barely recognisable in one of his most entertaining roles.

Dementus is a superb character, as flamboyant as he is demented, and Hemsworth plays him just right. By contrast, Anya Taylor-Joy is a misfit. Taylor-Joy’s lack of resemblance between her and Charlize Theron hangs over the performance. The ensemble cast of dreadfully behaved thugs fit more snugly into Miller’s gleefully off-kilter world than the talented Taylor-Joy.

SHAITAAN MOVIE & STORY

SHAITAAN MOVIE

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Director: Vikas Bahl

Writers: Aamil Keeyan Khan, Krishnadev Yagnik

Stars Ajay Devgn, Madhavan, Jyotika

SHAITAAN MOVIE STORY: When a family lets a stranger into their farmhouse, the man mysteriously controls the teenage daughter. She does every bizarre and life-threatening thing he commands her to. What dark secret does the stranger possess, and can this desperate family escape his twisted game?

Review: A good supernatural thriller typically relies on elements of horror and suspense to keep the viewer hooked. Even if it skimps on jump scares but provides an unsettling experience, it’s a job well done. In that sense, director Vikas Bahl has got it right with Shaitaan.

The movie introduces one to Kabir’s (Ajay Devgn) happy family, which includes his wife Jyoti (Jyotika), teenage daughter Jahnavi (Janki Bodiwala), and nerdy son Dhruv (Anngad Raaj). The film quickly builds a sense of unease, as a stranger, Vanraj Kashyap (R Madhavan), enters their lives. He mysteriously gains complete control of Jahnavi, so much so that she obeys every command he gives. Unease soon turns to dread as Vanraj’s orders becomeincreasingly awful and dangerous to Jahnavi herself and her family members. The rest of the story unravels the mystery behind what makes Vanraj powerful, his motive, and if the family will escape his torment.

Shaitaan’s appeal lies in the atmosphere it creates, especially without the use of CGI. It mostly hinges on the antagonist’s sinister intentions and games, which leave you with an unsettling feeling. Written by Aamir Keeyan Khan and Krishnadev Yagnik, the film sidesteps usual horror tropes. But it does touch upon the ageold supernatural versus science debate and human crudity that makes the species as basic as malevolent forces.

The narrative maintains a good pace and the treatment makes the movie gripping for the most part, although things gets a tad monotonous in the second half. Albeit not too suspenseful, the buildup is unnerving. The story has some unconvincing elements, and one scene gives away a pivotal plot point, which makes the climax predictable. Cinematographer Sudhakar Reddy Yakkanti excels in creating an atmosphere of dread and darkness, further enhanced by Amit Trivedi’s music.

Madhavan is outstanding as the malevolent figure and pulls off every sinister deed perfectly. Ajay Devgn delivers a powerful performance as a helpless but determined father. Jyotika stands her might, too. Janki Bodiwala deserves to be lauded for her pitch-perfect performance as the young girl under a devious spell. She laughs, cries, dances, and attacks on cue in immediate succession perfectly. Anngad Raaj as the son performs well, too.

Even though Shaitaan’s narrative stumbles at times, the masterful use of atmosphere and top-notch acting elevate it into an unsettling experience worth having.

BADE MIYAN CHOTE MIYAN MOVIE & STORY

 BADE MIYAN CHOTE MIYAN MOVIE

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Director: Ali Abbas Zafar

Writers: Aditya BasuVashu, BhagnaniSuraj Gianani

Stars Sonakshi Sinha,Akshay Kumar,Prithviraj Sukumaran

Story: When a powerful enemy threatens to destroy India with his technological prowess, two soldiers must use their tact and uninhibited strength to save the day.

Review: Captain Rakesh aka Rocky (Akshay Kumar) and Captain Firoz aka Freddy (Tiger Shroff) are the best assets of the Indian army. They are brave, honest and unapologetically patriotic. However, they are also a bit uncontrolled and defiant. But, when it comes to tackling an imminent threat from an enemy within, there’s no one else who can be trusted. India’s future is in jeopardy because of a tech-savvy villain, who is about to unleash an AI-powered mayhem on the country that can lead to a war-like situation with its volatile neighbours. It can also destroy India’s financial and defence capabilities. It’s a clear and present danger and for our men in uniform, it’s a race against time.

‘Bade Miyan Chote Miyan’ gets down to business right from the very first scene that begins with the film’s antagonist, instead of its protagonists. We know that the stakes are high as co-writer and director Ali Abbas Zafar does well in building up the suspense around it. The first half is packed with a frantic pace, adrenaline-pumping action and fun banter between Akshay Kumar and Tiger Shroff. It’s pedestrian humour but the punches work in forging good chemistry between the two actors. Like when Tiger’s character constantly takes a jibe at Akshay’s age and ignorance about the Gen-Z stuff or when Akshay gets back to him by taking a swipe at his acting skills. It’s done well and blends seamlessly with their character traits. Tiger’s brooding handsome looks and chiselled body enhance his screen presence and he more than holds on to his own against Akshay Kumar. Unlike most high octane actioners, this testosterone charged film actually ends up giving its leading ladies well-defined roles and important tasks. Manushi Chiller as Captain Misha is brilliant in landing lethal blows to the bad guys. Alaya F as the nerdy Dr Pam is also quite a hoot. The young actress shows spark with her near-perfect comic timing. Prithviraj Sukumaran as Kabir is way too sophisticated to be a menacing anti-hero. Sonakshi Sinha doesn’t have much to do in her special appearance as Captian Priya.

The narrative is powered by a masssive build-up in the first half and an unpredictable twist at the interval that raises expectations from the second half. But it pales in comparison. Logic takes a beating and we see an over-simplified solution to an apocalyptic problem. The complex geo-political situation between India, Pakistan and China is used as a backdrop and a reason to fire up some heavy patriotic lines. However, it’s the relentless action and innovative stunts that remain consistently top-notch. Marcin Laskawiec’s cinematography successfully captures the scale of a war-like situation and constant tension, which is quite relatable, in the times we live in. The thumping musical score by Vishal Mishra is refreshing, especially the song ‘Mast Malang’. The excessive usage of computer graphics during stunts, explosions and car chases is interspersed well within the scenes.

Director Ali Abbas Zafar, who is known for giving explosive entertainers like the ‘Tiger’ series, once again displays his expertise in the genre. ‘Bade Miyan Chote Miyan’ goes out all guns blazing to make for an entertaining potboiler with heart-pounding action, cheeky humour and barely a dull moment.

RATHNAM MOVIE & STORY

RATHNAM MOVIE

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Director:Hari

Writer: Hari

Stars: Vishal, Priya Bhavani Shankar, Samuthirakani

Rathnam Movie Review:

 Rathnam (Vishal), a volatile and troubled guy, serves as the muscle for MLA Panneer Selvam (Samuthirakani), upholding a twisted sense of justice through violence and intimidation. Haunted by a dark past, Rathnam struggles to control his violent impulses. We witness this quickly when he learns of a schoolgirl's abuse at the hands of a depraved individual, leading him to a gruesome act of vengeance. The arrival of Mallika (Priya Bhavani Shankar), a nurse bearing a striking resemblance to his mother, further complicates his life. Rathnam's protective instincts kick in as he follows her, only to discover she is being targeted by thugs sent by Beema Rayudu (Murali Sarma), a notorious land grabber from Andhra. This sets in motion a bloody rampage, with Rathnam leaving a trail of battered and slain enemies in his wake as he strives to shield Mallika and thwart Rayudu's ruthless plans.

Directed by Hari, Rathnam is essentially 90 minutes of action and violence (U/A certificate?!) in between moments of drama. Don't expect a mind-blowing plot or deep character development; that‘s not what this film is about. The whole setup with Mallika, this innocent soul who somehow attracts a horde of criminals, feels a bit flimsy, and the fact that her parents are willing to die over a piece of land doesn't exactly scream logical. But the director makes it clear from the get-go – this is Vishal's show, and he's here to beat the living daylights out of anyone who crosses his path. The emotional bits are just there to give his violence a semblance of justification.

Speaking of dragging, Rathnam could definitely use some trimming. A lot of the action sequences feel repetitive, with slight variations in setting and flimsy excuses for the villains to start the next round of mayhem. It's your typical Hari formula – action-packed, fast-paced, and unrelenting – but even by the director's standards, it feels sluggish at times. There is room for improvement, like reducing the family drama at Mallika’s place.

Once you get past the cheesy setup, you can actually settle in and enjoy the action spectacle. We're talking knives, machetes, adrenaline-pumping car chases, and even an impressive single-shot car chase sequence that's genuinely thrilling. Whether it's in Tamil Nadu, Andhra, or at Mallika's college, the dogged pursuit by the villains sets the stage for Vishal's over-the-top, brutal takedowns. When you’re in the groove, you won’t give a damn about the story or logic.

As expected, Vishal dominates the screen as the film's undisputed star. His portrayal of Rathnam is a perfect blend of agility, intensity, and rowdy charm. The fast-paced editing and liberal use of slow-motion elevate his action sequences, showcasing his fighting prowess with stylish flair. Priya Bhavani Shankar, while mostly confined to a role defined by concern and a fascination with Rathnam's protective nature, delivers a creditable performance. Samuthirakani brings his usual gravitas to the role of the MLA, primarily serving as the cleanup crew for Rathnam's destructive exploits. Yogi Babu’s comic relief has its hits and misses. Murali Sharma, as the terrorising villain, has a sense of danger throughout. You see his face and you get the portrait of a villain as a middle-aged man. Gautham Menon, unexpectedly, receives the loudest cheers from the audience in a cameo appearance. The remaining cast members fulfill their roles adequately, serving the narrative as needed.

The film's soundtrack bears the mark of Devi Sri Prasad. It’s a blend of masala numbers and emotionally charged melodies. M. Sukumar's camerawork captures the essence of Hari's vision, bringing the fast-paced action to life.

SULTAN OF DELHI Web Serie and Story

SULTAN OF DELHI

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Creator: Milan Luthria

Stars: Tahir Raj Bhasin, Anjum Sharma, Nishant Dahiya

SULTAN OF DELHI SEASON 1 REVIEW:

Story: The show chronicles the life of a survivor of Arjun Bhatia, a survivor of the 1947 Partition, as he rises to power in Delhi's underworld.

Review: ‘Sultan of Delhi’ is a gripping gangster drama series that transports viewers to the tumultuous era of 1962 Delhi, exploring the city's underworld. The show is based on Arnab Ray's novel "Sultan of Delhi: Ascension" and is brought to life by director Milan Luthria, who has co-directed and co-written this nine-part series with Suparn S Verma. The narrative is rife with drama, romance, action, and the enduring bonds of friendship, making it an engaging watch.

Arjun Bhatia's (Tahir Raj Bhasin) journey is central to the storyline. As a young boy who survived the horrors of the Partition, he arrives in Delhi, a city in the throes of political and militant upheaval. His determination to rise above the scars of the past propels him into the criminal world, starting with the arms trade and partnering with his friend Bangali (Anjumm Shharma). Together, they enter the realm of illegal business under the tutelage of Jagan Seth (Vinay Pathak). The series is replete with classic elements of a noir narrative: betrayal, power struggles, clashes of egos, and the rise of empires. Amidst all the violence and intrigue, Arjun's love story with Sanjana (Mehreen Pirzada) adds a warm and human dimension to the crime saga.

One of the strengths of the show is its pacing and the way it unfolds the story in layers, keeping viewers thoroughly engaged. Also, it refrains from pigeonholing characters into clear hero or villain roles, allowing for nuanced character development. That said, the series jumps between timelines and generations to highlight the ups and downs in the protagonist's life. While the on-screen years help viewers keep track, the show only partially captures the look and feel of the 1960s, and the dialogue occasionally feels out of place within that setting.

Tahir Raj Bhasin delivers an outstanding performance as Arjun Bhatia, undergoing a compelling transformation throughout the series. Anjumm Shharma's portrayal of Bangali captures the essence of a loyal friend, reminiscent of iconic Bollywood duos like 'Jai Veeru.' Vinay Pathak's portrayal of Jagan Seth strikes a perfect balance between empathy and cruelty. Nishant Dahiya's performance as the antagonist, Rajender Pratap Singh, is notable, but Anupriya Goenka's portrayal of Shankari Devi steals the spotlight. Among other female leads, Mouni Roy looks glamorous as Nayantara. Both Mehreen Pirzada and Harleen Sethi win hearts with their simplicity in playing Bhatia's love interests.

On the whole, ‘Sultan Of Delhi’ successfully adapts Arnab Ray's book into an engaging series that captures the essence of a dramatic and tumultuous period in Delhi's history. While it may be enjoyed as a bit of pulp and pop culture, it does justice to the source material, making it a compelling watch for fans of crime dramas set against a historical backdrop.